Plastic collars by Sarah Angold will be included in the chapter “Collars as accessories” of my book about fashion collars.
Following the success of her first two jewellery ranges, Sarah Angold was showcasing her third collection at London Fashion Week last September.
This season, Angold’s architectural style of layering and mathematical graduation finds its inspiration in the London skyline and the geometric shapes of the city’s construction sites. Her fascination with material innovation can be seen in the studio’s inventive use of laser cut acrylic, non precious metals and industrial fastenings.
(I took this photo at the exhibition in Somerset House)
Angold’s dynamic pieces have been on show during New York Fashion Week this season as part of Faster by Mark Fast’s presentation at Milk Studios, New York. She has also collaborated on the London Fashion Week Catwalk at Somerset House.
Sarah Angold Studio houses a multidisciplinary team, with professional experience across ten different design sectors, from fashion to product and vehicle design. Described by the Design Museum as a ‘young designer to watch’, Angold’s rapidly expanding client list already includes Selfridges, Swarovski, Hussein Chalayan, Toyota Japan, Seymourpowell, the Design Museum, Textile View Magazine and the Royal College of Art. The broad scope of the studio’s work, including lighting, visual merchandising and installation, is clearly an influence on the structure and materiality of the jewellery pieces.
Sara Angold also designs amazing futuristic bracelets and earrings which you can find on her official website. Stockists include Tate Modern, Beyond the Valley, Gill Wing (all London), Interior Angle Gallery (Essex) and www.sarahangold.com.
The studio welcomes bespoke or collaborative projects of all kinds.